She leaves the concubine boy sprawled against the parapet and turns to the estuary, so that he falls on her right and vanishes from awareness. She knows he is still there, of course; she is not touched. But she cannot make herself know it, cannot make herself grasp that he still exists. Her mind insists that he has been snatched away, drawn off-stage.
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Read “The Traitor Baru Cormorant, Her Field-General, and Their Wounds” by Seth Dickinson, in Issue #85
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