Featuring new cover art “Golden Age” by Juan Carlos Barquet, four stories, a bonus second podcast read by guest narrator Kate Baker, and giveaways for Richard Parks and K.J. Parker short story collections.
I looked around slowly. I had a talent for spotting ghosts, monsters, foxes, even demons in their disguised forms, but a death spirit? That was something more within Kenji’s purview than my own. “Where?”
I considered what he had said now as I regarded the rain spirit. “I believe that there’s something the headman isn’t telling us.”
"A moving, simple story in a setting that evokes a scene on a painted scroll... Recommended." —Lois Tilton, Locus online
My smile broadened. It was lucky for the old man I don't practice my trade for free, or he'd have spent the rest of the day rolling on the floor clutching his guts. “If one of them was a wizard capable of performing that level of enchantment, he'd be a rich man,” I said. “Stands to reason.”
It's the dead, of course, who give you the best advice, and why we're so very reluctant to take it, I really don't know.
"...features a magic system with which I’m not otherwise familiar, told in the author’s usual wry and witty narrative voice. The concluding theme turns out to be truth and the utility of a lie, but there are other issues to engage readers. I look forward to more of these. Recommended." —Lois Tilton, Locus online
But tonight she finds herself mouthing a prayer in a language she's almost forgotten, a simple sentence asking Quan Am to relieve the suffering of mortals, and she doesn't quite know which well the words come bubbling out of—a feeling of standing on the edge of a dark abyss that frightens her. What else has she forgotten, when she was here with Raoul?
...where she might well always be the jumped-up little Annamite to other Frenchmen—but what does it matter, if she has Raoul's love?
“readers will suspect (the narrator) of planning revenge, but the story takes a different path. Readers familiar with the author’s recent work will recognize... the same concern with ancestral heritage and the gynocentric family structure.” —Lois Tilton, Locus online
The first dozen or so corpses Yinghua paused to examine yielded nothing. By then her nostrils were so full of the death-stench that proximity to any particular corpse hardly mattered, and her nausea began to settle, as if her body were reluctantly coming to terms with the situation. She saw the carnage in the abstract—this was not a severed limb or a split skull, it was simply part of a butterfly habitat.
The body's exposed intestines writhed with pale-pink caterpillars, Corpsewing larvae, a sight Yinghua found at once repulsive and fascinating.
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I considered what he had said now as I regarded the rain spirit. “I believe that there’s something the headman isn’t telling us.”
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...where she might well always be the jumped-up little Annamite to other Frenchmen—but what does it matter, if she has Raoul's love?
Whether I was drunk or sober, Princess Teiko haunted my dreams.