Featuring new Cover Art by Myke Amend
“The Woman and the Mountain,” by Sarah L. Edwards
The mountain would not watch her without replying, for such was too close to deceit. But before he turned his thoughts away from the valley and the woman standing in it, he saw once more her face, her eyes that had glittered moments ago with threatening tears. He felt the shapes of her feet, pressing into the soil. Then he looked instead to desolate ridges of stone and silent peaks, but the image of her remained.
“The Silver Khan,” by Stephen Case
I was fascinated by the statues in the Khan’s gardens. They were all of men, clearly warriors, dressed in a strange armor. One night in the gardens I met an artist who sketched the statues in secret. He showed me his portfolio, which contained drawings of the face of a certain statue he had sketched night after night for years. “He is speaking,” the artist said. “See the movement of the lips and the line of the jaw. I do not know what he says, but he is forming words over the months and years.”
“Six Seeds,” by Sara M. Harvey, from BCS #27
Of course, this was very nice for all the other women of the world, but not for me. For me, Dollies were the chore of my life: winding them, bathing them in oil, mending gears and joints, and keeping good care of their pricier parts which pleasured the men. I cannot say that I hated it, nor that I was fond of it, only that it was my task every single day to care for these immortal metal beauties.