Reilitas clutches tightly her wrought-iron railing as the city guards throttle the thieves and rioters. Wherever she looks she finds destroyed the things she has made. The ambassador's tiled vases are smashed; she had spun them wide to hold his banana trees. The golden automaton in the shrine of the god of prophecy, which she had helped a foreign machinist assemble, has lost all four of its arms, and its topaz eyes have been plucked. A dress that must be her work, woven for a virgin consecrated to the temple, is ripped and fouled in the street.