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When she plays, it’s the old songs—not her heavy concertos but brisk two-fingered melodies, folk tunes and old hymns, the first songs her youngest students would master. Every month when the soldiers bring her supply of flour and milk, they also bring waterproofed parcels of manuscript paper and cool bricks of ink. She always refuses them.
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Read “The Oracle and the Sea” by Megan Arkenberg, in Issue #263
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